{"id":1746,"date":"2012-06-17T12:15:37","date_gmt":"2012-06-17T16:15:37","guid":{"rendered":"http:\/\/greynotgrey.com\/blog\/?p=1746"},"modified":"2012-07-06T09:49:25","modified_gmt":"2012-07-06T13:49:25","slug":"happy-fathers-day-max-ernst-pieta-or-revolution-by-night","status":"publish","type":"post","link":"https:\/\/greynotgrey.com\/blog\/2012\/06\/17\/happy-fathers-day-max-ernst-pieta-or-revolution-by-night\/","title":{"rendered":"Happy Father&#8217;s Day &#8211; Max Ernst, &#8220;Pieta&#8221; or &#8220;Revolution by Night&#8221;"},"content":{"rendered":"<p>Happy Father&#8217;s Day! There is some irony in posting about Max Ernst&#8217;s portrait of his father in <a href=\"http:\/\/en.wikipedia.org\/wiki\/Piet%C3%A0_or_Revolution_by_Night\" target=\"_blank\">&#8220;Pieta&#8221; or &#8220;Revolution by Night&#8221;<\/a> (1923). For one thing, Ernst thought his father was an idiot. Take it as you will, this definitive work of early surrealism can be interpreted on many levels.<\/p>\n<div id=\"attachment_1748\" style=\"width: 635px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1748\" class=\" wp-image-1748\" title=\"Max Ernst - Pieta or Revolution by Night\" src=\"http:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/06\/Max-Ernst-Pieta-or-Revolution-by-Night.jpg\" alt=\"Pieta or Revolution by Night (1923) Oil on canvas, 116 x 89 cm Tate Gallery, London\" width=\"625\" height=\"834\" srcset=\"https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/06\/Max-Ernst-Pieta-or-Revolution-by-Night.jpg 625w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/06\/Max-Ernst-Pieta-or-Revolution-by-Night-112x150.jpg 112w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/06\/Max-Ernst-Pieta-or-Revolution-by-Night-224x300.jpg 224w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><p id=\"caption-attachment-1748\" class=\"wp-caption-text\">Max Ernst &#8211; &#8220;Pieta&#8221; or &#8220;Revolution by Night&#8221; (1923) Oil on canvas, 116 x 89 cm Tate Gallery, London<\/p><\/div>\n<blockquote><p>Max Ernst (was) the son of an amateur painter from Cologne who once painted Max in the character of the infant Jesus. &#8230;The figure carried by the bowler-hatted man is generally accepted to be a self- portrait; it has Ernst&#8217;s features. The bowler-hatted man appears to be a portrait of Ernst&#8217;s moustachioed father.\u00a0&#8230;\u00a0Ernst thought of his father as a fool. The man with the turned-up moustache was not just a Sunday painter, but one with a heavy academic style; Ernst&#8217;s entire career was a rejection of the middle-class idea of art for which his father stood.<br \/>\n&#8230;In dreams, we are unmanned; that is the burden of Ernst&#8217;s painting. The Pieta in Renaissance art is an image of maternal love. In Ernst&#8217;s painting, the father becomes a mother. The son, instead of raging against him in the Oedipal drama familiar to Ernst as a student of Freud, becomes as passive as a corpse. The father (is also) passive, an automaton. &#8230;The revolution here is not one fought across barricades, but a dreamy one in which barricades disintegrate, (and) the boundaries of identity dissolve&#8230;<br \/>\n&#8211;\u00a0<a href=\"http:\/\/www.guardian.co.uk\/culture\/2001\/jun\/23\/art\" target=\"_blank\">Jonathan Jones,\u00a0The Guardian<\/a><\/p>\n<p>&nbsp;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Happy Father&#8217;s Day! There is some irony in posting about Max Ernst&#8217;s portrait of his father in &#8220;Pieta&#8221; or &#8220;Revolution by Night&#8221; (1923). For one thing, Ernst thought his father was an idiot. Take it as you will, this definitive&#8230;<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[130,129],"tags":[227,175,133,302,219,131,322,132],"class_list":["post-1746","post","type-post","status-publish","format-standard","hentry","category-art-history","category-painters","tag-american-artists","tag-art","tag-art-history-2","tag-french-artists","tag-german-artists","tag-max-ernst","tag-pieta-or-revolution-by-night","tag-surrealism"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2JDlZ-sa","_links":{"self":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts\/1746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/comments?post=1746"}],"version-history":[{"count":0,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts\/1746\/revisions"}],"wp:attachment":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/media?parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/categories?post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/tags?post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}