{"id":2317,"date":"2012-07-26T13:26:57","date_gmt":"2012-07-26T17:26:57","guid":{"rendered":"http:\/\/greynotgrey.com\/blog\/?p=2317"},"modified":"2012-07-26T13:26:57","modified_gmt":"2012-07-26T17:26:57","slug":"eudardo-recife","status":"publish","type":"post","link":"https:\/\/greynotgrey.com\/blog\/2012\/07\/26\/eudardo-recife\/","title":{"rendered":"Eudardo Recife"},"content":{"rendered":"<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Eduardo_Recife\" target=\"_blank\">Eduardo Recife<\/a> is a Brazilian designer of many talents. He&#8217;s an illustrator, graphic designer, and typographer who has worked with an amazing range of clients including the New York Times, Entertainment Weekly, Showtime, et cetera, et cetera. His quirky, grunged-up collage-based illustrations are simply captivating.<\/p>\n<div id=\"attachment_2318\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2318\" class=\"size-full wp-image-2318\" title=\"Eduardo Recife - New York Times, 2011\" src=\"http:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-New-York-Times-2011.jpg\" alt=\"Eduardo Recife - New York Times, 2011\" width=\"600\" height=\"803\" srcset=\"https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-New-York-Times-2011.jpg 600w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-New-York-Times-2011-112x150.jpg 112w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-New-York-Times-2011-224x300.jpg 224w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-2318\" class=\"wp-caption-text\">Eduardo Recife &#8211; New York Times, 2011<\/p><\/div>\n<p>Not only does he have a great roster of clients, but last year he won a Cannes Gold Lion for book illustration. That&#8217;s pretty sweet. I&#8217;m only showing the cover here but you can see the rest of the book illustrations for this project on his <a href=\"http:\/\/www.eduardorecife.com\/\" target=\"_blank\">commercial portfolio site<\/a>.<\/p>\n<div id=\"attachment_2319\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2319\" class=\"size-full wp-image-2319\" title=\"Eduardo Recife - Cannes Lion, 2011\" src=\"http:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Cannes-Lion-2011.jpg\" alt=\"Eduardo Recife - Cannes Lion, 2011\" width=\"600\" height=\"814\" srcset=\"https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Cannes-Lion-2011.jpg 600w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Cannes-Lion-2011-110x150.jpg 110w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Cannes-Lion-2011-221x300.jpg 221w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-2319\" class=\"wp-caption-text\">Eduardo Recife &#8211; Cannes Lion, 2011<\/p><\/div>\n<p>Recife&#8217;s personal work is a lot of fun, too. If you check out his <a href=\"http:\/\/www.misprintedtype.com\/v4\/\" target=\"_blank\">personal site<\/a> you can see a wide range of illustrations from over the years, download free fonts (I am a big fan of Selfish and Porcelain, both designed in 2001), and basically be awed by the talent dripping off your computer screen. Okay, that sounds kind of gross so let&#8217;s just stick with &#8220;awed by the talent&#8221;.<\/p>\n<div id=\"attachment_2320\" style=\"width: 576px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2320\" class=\"size-full wp-image-2320\" title=\"Eduardo Recife - Dream\" src=\"http:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Dream.jpg\" alt=\"Eduardo Recife - Dream\" width=\"566\" height=\"800\" srcset=\"https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Dream.jpg 566w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Dream-106x150.jpg 106w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Dream-212x300.jpg 212w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><p id=\"caption-attachment-2320\" class=\"wp-caption-text\">Eduardo Recife &#8211; Dream<\/p><\/div>\n<p>If you really, really like his work (and why wouldn&#8217;t you?) there are gicl\u00e9e prints available <a href=\"http:\/\/www.inprnt.com\/gallery\/misprintedtype\/\" target=\"_blank\">via inPRNT<\/a>.<\/p>\n<div id=\"attachment_2321\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2321\" class=\"size-full wp-image-2321\" title=\"Eduardo Recife - Hope\" src=\"http:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Hope.jpg\" alt=\"Eduardo Recife - Hope\" width=\"800\" height=\"565\" srcset=\"https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Hope.jpg 800w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Hope-150x105.jpg 150w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Hope-300x211.jpg 300w, https:\/\/greynotgrey.com\/blog\/wp-content\/uploads\/2012\/07\/Eduardo-Recife-Hope-424x300.jpg 424w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-2321\" class=\"wp-caption-text\">Eduardo Recife &#8211; Hope<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eduardo Recife is a Brazilian designer of many talents. He&#8217;s an illustrator, graphic designer, and typographer who has worked with an amazing range of clients including the New York Times, Entertainment Weekly, Showtime, et cetera, et cetera. His quirky, grunged-up&#8230;<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[116],"tags":[369,445,230,443,214,117,120,213,444,281],"class_list":["post-2317","post","type-post","status-publish","format-standard","hentry","category-illustrators","tag-brazilian-artists","tag-brazilian-illustrators","tag-collage","tag-eduardo-recife","tag-hand-lettering","tag-illustration","tag-illustrator","tag-lettering","tag-misprinted-type","tag-typography"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2JDlZ-Bn","_links":{"self":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts\/2317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/comments?post=2317"}],"version-history":[{"count":0,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/posts\/2317\/revisions"}],"wp:attachment":[{"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/media?parent=2317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/categories?post=2317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greynotgrey.com\/blog\/wp-json\/wp\/v2\/tags?post=2317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}