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Zwei Grau nebeneinander
(Two Greys Juxtaposed) 1966

Gerhard Richter on Grey

October 2, 2013 · by Ian Rogers · in Art History, Colour Theory, Painters

Grey. It makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph. It has…

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