Reginald Marsh, Pip and Flip, 1932, tempera on paper mounted on canvas, Terra Foundation for American Art, Chicago, Daniel J. Terra Collection, 1999.96. Photo Credit: Terra Foundation for American Art, Chicago/Art Resource, New York; © 2013 Estate of Reginald Marsh/Art Students League, New York/Artists Rights Society (ARS), New York
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- Arnold Mesches, Anomie 1991: Winged Victory, 1991, acrylic on canvas
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- Frederick Brosen, Astroland, 2008–13, watercolor over graphite on paper
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- Homer Page, Coney Island (Couple on Beach), c. 1949, gelatin silver print
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- Joseph Stella, Battle of Lights, Coney Island, Mardi Gras, 1913–14, oil on canvas, Yale University Art Gallery, New Haven, Connecticut, Gift of Collection Société Anonyme, 1941.689
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- Little Fugitive, production still, 1953
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- Milton Avery, The Steeplechase, Coney Island, 1929, oil on canvas
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- Morris Engel, Coney Island Embrace, New York City, 1938, gelatin silver print
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- Red Grooms, Weegee 1940, 1998–99, acrylic on paper
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- Reginald Marsh, Wooden Horses, 1936, tempera on board
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- Samuel S. Carr, Beach Scene, c. 1879, oil on canvas
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- Steeplechase Funny Face, n.d., painted metal, Collection of Ken Harck
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- William Merritt Chase, Landscape, near Coney Island, c. 1886, oil on panel
