Reginald Marsh, Wooden Horses, 1936, tempera on board, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, The Dorothy Clark Archibald and Thomas L. Archibald Fund, The Krieble Family Fund for American Art, The American Paintings Purchase Fund, and The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund, 2013.1.1. © 2013 Estate of Reginald Marsh / Art Students League, New York / Artists Rights Society (ARS), New York
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- Arnold Mesches, Anomie 1991: Winged Victory, 1991, acrylic on canvas
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- Frederick Brosen, Astroland, 2008–13, watercolor over graphite on paper
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- Homer Page, Coney Island (Couple on Beach), c. 1949, gelatin silver print
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- Joseph Stella, Battle of Lights, Coney Island, Mardi Gras, 1913–14, oil on canvas, Yale University Art Gallery, New Haven, Connecticut, Gift of Collection Société Anonyme, 1941.689
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- Little Fugitive, production still, 1953
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- Milton Avery, The Steeplechase, Coney Island, 1929, oil on canvas
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- Morris Engel, Coney Island Embrace, New York City, 1938, gelatin silver print
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- Red Grooms, Weegee 1940, 1998–99, acrylic on paper
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- Reginald Marsh, Pip and Flip, 1932, tempera on paper
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- Samuel S. Carr, Beach Scene, c. 1879, oil on canvas
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- Steeplechase Funny Face, n.d., painted metal, Collection of Ken Harck
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- William Merritt Chase, Landscape, near Coney Island, c. 1886, oil on panel
